This book researches the historical relationship of cybernetic and art, an affiliation of technology and culture that emerged after the second world war. In the second phase of modernity, cybernetics became the main model and method of design and envision the societies of the future. From the modern utopias of film, art and television imagery to those of cyberspace, various kinds of media territories populate contemporary media culture. Unlike television and other traditional forms of mediation, digital image have established a spectrum of different forms of entertainment and interaction.